Showing posts with label camera. Show all posts
Showing posts with label camera. Show all posts

Olympus SZ-10 and 3D VR-330 superzooms announced alongside entry-level VG-110

What's your preference for getting up close to the action? 18x wide 28-504mm or 12.5x super-wide 24-300mm optical zoom? If it's the former then Olympus just announced its $249.99 (ships in March) SZ-10 ultra-zoomer pictured above, with 14 megapixel 1/2.3-inch CCD sensor, 3-inch LCD, TruPic III+ image processing, and Eye-Fi Card support. Otherwise, Oly's new £159.99 3D VR-330 for Europe dials back the zoom to 12.5x and and forgoes the newer image processing of the SZ-10 while boasting the same 14 megapixel sensor. 
Both cameras pack dual-image stabilization, 720p video capture, HDMI-out (with CEC support so that it works with your TV's existing remote control), and a dynamic "3D mode" that instructs you to pan and shoot a second image that will be combined into a .MPO file suitable for playback on a 3D display. The VR-330 is also available without the 3D mode as the $199.99 VR-320 which ships Stateside in February. Bringing up the rear is an entry-level $89.99 VG-110 with 12 megapixel sensor, 2.7-inch LCD, 4x zoom, and VGA video. Look for it sometime later this month.

Pentax reveals Optio WG-1 and WG-1 GPS rugged cameras, limited edition K-5 DSLR

Who woulda thunk it? Half a year ago, finding a conventional point-and-shoot with integrated GPS was a chore, but these days, it's growing tougher and tougher to find one without it. Pentax is joining thegeotagging frenzy this evening with its Optio WG-1 GPS, a rugged 14 megapixel shooter that's waterproof up to 33 feet, shockproof in nature and engineered with a "crushproof" body that can withstand weight force of up to 220 pounds (but not another Black Eyed Peas halftime show). You'll also get integrated face detection technology, the ability to snap in sub-freezing temperatures, a 5x optical zoom lens and a 2.7-inch rear LCD. There's also a 720p movie mode, HDMI output, IR control compatibility and support for Eye-Fi's wireless SD card. It'll ship this April in black or yellow-green for $399.95, and if you're uncomfortable remembering where you took each and every photograph, the GPS-less Optio WG-1 will also be available (in black or purple) for $50 less.

In related news, the company is taking this opportunity to issue a limited edition K-5 DSLR, with this one touting a silver body, a uniquely shaped grip and shock-resistant, scratchproof glass surrounding the LCD. Outside of that, everything else about the 16.3 megapixel shooter will remain the same as it ever was, and the $1,699.95 (body only) price point is most certainly no easier to swallow. For those still sold on the idea, Pentax will also be offering a trifecta of silver prime lenses: the 21m f/3.2 AL, 40mm f/2.8 and the 70mm f/2.4. Check out Sir Silver (and the full press releases) just after the break. 



“K-r BONNIE PINK MODEL”: Yet Another Pentax DSLR Special Edition

Pentax seems to have a sweet spot for digital cameras with funky designs, and this time it’s the Pentax K-r that will receive a limited edition treatment. Pentax today announced [JP] the so-called K-r BONNIE PINK MODEL”, a redesigned version of the camera, which was released last year.
Bonnie Pink is the name of a fairly famous Japanese pop star.
Technically, Pentax didn’t change anything, apart from adding a boot screen that shows the singer’s logo. Buyers will get a DA L 18-55mm F3.5-5.6 AL BONNIE PINK MODEL lens that’s bundled with the camera.
The camera will be limited to just 100 units (price: $1,100). Pentax will start selling it next month: ask specialized online store Rinkya if you want to lay your hands on one but don’t live in Japan.

The JVC GX-PX1 Is a Great Looking Hybrid Camera


The JVC GX-PX1 Is a Great Looking Hybrid CameraInside the JVC GX-PX1's gigantic barrel and thin, slim body is a promising camera and camcorder hybrid. There's a 10x optical zoom, 10-megapixel camera, 1080/60p HD video recording at up to 36Mbps, and can shoot at 60fps at 5.7-megapixels.
The 3-inch LCD swivels and the camera comes with 32GB of internal memory. No price or release date out yet, but it's supposed to release by the end of the month.
The JVC GX-PX1 Is a Great Looking Hybrid Camera
[Impress via Slashgear]

Panasonic Lumix TS3: The Rugged Cam That's Sensitive on the Inside


Panasonic Lumix TS3: The Rugged Cam That's Sensitive on the InsideAt one point, springing for a camera that could survive a smash or two meant sacrificing, you know, actually getting a decent camera. Not so anymore! Panasonic's 12.1MP TS3 is thoroughly rugged and does geotagging and 1080p video.
First, the basics. You can beat this thing up. It's waterproof to 40 feet; shockproof to about 6 feet; freezeproof to -10 degrees C, and dustproof for good measure. Good.
And as you'd expect, there are plenty of upgrades over its predecessor, the already-pretty-great TS2, in terms of guts: the TS3 shoots full 1080p HD video; has built-in GPS for geotagging magics where the ZS2 had none; and has a fake 3D mode whihc will snap 20 shots, pick the best two, and overlay them to produce as best a 3D image as it can muster. Not quite the real deal, but you've gotta start somewhere in this crazy new 3D world, right?
The TS3's got 4.6x optical zoom, a built-in LED for lighting up dark creepy crawlies and a full suite of Panny's intelligent auto options. It'll be available in March for a to-be-determined price.

DSLR Concept Redesign Makes More Room For Your Face


DSLR Concept Redesign Makes More Room For Your Face










This concept Sony DSLR design was created by industrial design student Ryan David Francis. Its unique shape is provides more room for your face for people who prefer the viewfinder to using the LCD screen.


Carl Zeiss Cine Lenses Target HDSLR Filmmakers This June




Carl Zeiss Cine Lenses Target HDSLR Filmmakers This June

















Later this June, well-known lens manufacturer Carl Zeiss will begin offering a line of Compact Prime CP.2 lenses with the discerning HDSLR filmmaker in mind.
The new is no surprise, really, given the versatility and functionality that HDSLR rigs have shown over the past year in the film making space. As you may recall, the season finale of House was shot entirely on a Canon 5D Mark II. That's one example of mainstream acceptance, and there are many more.
Anyway, the Compact Prime CP.2 lenses are rumored to be compatible with Nikon F, Arri PL, and Canon EF mounts. There's also a lightweight Zoom LWZ.2 lens that will presumably offer similar mount compatibility:
Carl Zeiss Cine Lenses Target HDSLR Filmmakers This June



















Pricing, unfortunately, will probably arrive a bit closer to the rumored June release date. 

Rainbow Pentax K-x Is Some Sort of Culmination


Rainbow Pentax K-x Is Some Sort of Culmination











Recently, at Pentax: "Sir, I don't know what to tell you. We've done the robotic colors. We've done the Valentine's colors. We've tried everything, short of using the whole goddamn rainbo—wait a minute. I think I've got it."
Rainbow Pentax K-x Is Some Sort of Culmination








It's all been leading up to this. The red, orange, yellow, green, blue, pink and purple Tower Records Pentax Rainbow K-x. Only 1000 of the $810 cameras will be made, and they'll only be sold in Japan through the Tower Records website. But if there was ever a rainbow worth chasing, it's this one. 

Canon 5D mk III rumored to ship in 2011





It looks like the popularity of Canon’s full-frame DSLR (and powerful, but flawed video camera) is enough to warrant another sequel. While some would say that cheaper, but equally capable cropped-sensor cameras like the 7D represent a better value, the 5D has its own charm and I’m sure Canon will be capitalizing on that — next year, if Vincent Laforet is to be believed.
At an workshop over the weekend, the well-known photographer suggested that Canon might be putting out a successor to the mk II in 2011. It would likely get a megapixel boost and a much more sensitive sensor.That seems to jive with other murmurs, but it’s a long ways off so discretion is the best policy for now. Canon is extremely tight-lipped about these things, so don’t expect a comment. Laforet, on the other hand, can probably expect a stern reprimand for blabbing, although it’s possible he was just speculating like the rest of us.
A year from now, though… I wonder if the new 5D might even sport 3K resolution? That would make it more attractive to filmmakers who don’t want to do effects and color correcting at the resolution they’re distributing at. Of course, if they’re thinking that far ahead they’re not shooting 5D at all, since H.264 isn’t really the best editing codec.
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